A review of Les Miz is HERE. Please forgive the fact that the review is about seven months old and concerns a production no longer on the stage.
The publicity for stage plays in this town is lousy. We never know the names of the cast until the night we see the play, and that makes it tough to do preliminary research on the talent.
But that complaint aside, Allen D. Cornell and his staff consistently do magnificent work in rounding up the finest talent available.
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What prompted this write-up is the fact that I've seen three movies recently all of which played off the theme of what it does to your inner soul to practice deception on others. This, despite the fact that the three movies couldn't be more different from each other.
One was Les Miz, in which see the anguish on the face and in the voice of Jean Valjean (Hugh Jackman)as he tortuously plows through a life that involves breaking parole (after serving 19 years of hard labor for the "crime" of stealing a loaf of bread to feed his starving nephew) and concealing his identity from Inspector Javert (Russell Crowe).
And the second movie -- the recently released "Blue Jasmine" written and directed by Woody Allen -- shows the meltdown experienced by Jasmine French (Cate Blanchett), shamed and poverty-stricken as a result of having been married to a Bernie Madoff character, Hal (Alec Baldwin).
And there was more deception in a third movie -- an oldie -- Otto Preminger's magnificent "The Man With the Golden Arm." Title character Frankie Machine was played by Frank Sinatra, in his only other Oscar-nominated role that was not Maggio in "From Here to Eternity." In that one, he did win best-supporting honors. In "Golden Arm," he didn't win, but I thought it was a better performance. The deception, by the way, was played by supporting actress Eleanor Parker, wheelchair-bound in the movie, but her character could walk. She stayed in the chair so as to hold on to Frankie, who felt guilty for driving the car that crippled her in the first place. Of course, the movie wasn't about that. It was about the horrors of heroin addiction, and Sinatra's performance was riveting as the junkie who couldn't stay off the junk.
And the reason I'm blogging is that I'm still looking on the Internet for the marvelous essay I THINK was written by Cornell concerning the background of the Inspector Javert character.
If I ever find the link, I'll share it with you.
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No luck yet, but HERE'S A LINK where you can find Colm Wilkinson and Hugh Jackman talking about the making of the movie.
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Although I'm now giving up trying to find Cornell's essay, I have good news to report. With regard to Javert's background and motivation, here's SOMETHING BETTER -- the character analysis I found on Wikipedia. Enjoy!
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